Amores Perros

• Condition: New
• Format: DVD
• Anamorphic; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Academy Award® nominee Javier Bardem is Uxbal, a man on the wrong side of the law who struggles to provide for his children on the dangerous streets of Barcelona. As fate encircles him, Uxbal learns to accept the realities of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives t! o do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal himself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerAcademy Award® nominee Javier Bardem is Uxbal, a ! man on the wrong side of the law who struggles to provide for ! his chil dren on the dangerous streets of Barcelona. As fate encircles him, Uxbal learns to accept the realities of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives to do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal h! imself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerThree lives become inextricably linked in the wake of a terrible car crash: a young punk stumbles into the sinister underground world of dog fighting; an injured supermodel's pooch disappears into the apartment's floorboards; and an ex-radical turned hit man rescues a gun-shot Rotweiler. Discover why Amores Perros is the best reviewed film of the year.Sy! stem Requirements: Running Time 153 MinFormat: DVD MOVIE Genr! e: DRAM A Rating: R UPC: 658149786424 Manufacturer No: 71479Amores Perros roughly translates to "Love's a bitch," and it's an apt summation of this remarkable film's exploration of passion, loss, and the fragility of our lives. In telling three stories connected by one traumatic incident, Mexican director Alejandro Gonzalez Inarritu uses an intricate screenplay by novelist Guillermo Arriaga to make three movies in close orbit, expressing the notion that we are defined by what we lose--from our loves to our family, our innocence, or even our lives. These interwoven tales--about a young man in love with his brother's pregnant wife, a perfume spokeswoman and her married lover, and a scruffy vagrant who sidelines as a paid killer--are united by a devastating car crash that provides the film's narrative nexus, and by the many dogs that the characters own or care for. There is graphic violence, prompting a disclaimer that controversial dog-fight scenes were harmless and carefull! y supervised, but what emerges from Amores Perros is a uniquely conceptual portrait of people whom we come to know through their relationship with dogs. The film is simultaneously bleak, cynical, insightful, and compassionate, with layers of meaning that are sure to reward multiple viewings. --Jeff Shannon

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Billy's Hollywood Screen Kiss Beautiful MUSEUM WRAP CANVAS Print with Added BRUSHSTROKES Unknown 11x17

• Title: Billy's Hollywood Screen Kiss
• Artist: Unknown
• MUSEUM WRAP Canvas - Added Brush Strokes (SPECIAL NOTE: BELOW)
• Image Size: 10.41in. x 14.92in.
• Paper Size: 11.00in. x 17.00in.

Billy is an L.A. photographer whose latest project has him re-creating famous cinematic kisses with male models. When a handsome and sexually ambiguous coffeehouse waiter begins posing for him, Billy becomes attracted to him but afraid to declare his infatuation. Sean P. Hayes, Brad Rowe, Richard Ganoung, and Paul Bartel star in writer/director Tommy O'Haver's winning romantic comedy. 92 min. Widescreen; Soundtrack: English Dolby Digital stereo Surround; Subtitles: French, Spanish; audio commentary; theatrical trailer.First-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than th! e reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lookalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as the perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling i! n his own way as much as Billy. Full of the usual mix of secon! d-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a Gidget movie. The shift is surprising and even sometimes funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and not a milestone in the genre. --Paula NechakFeatures the original motion picture score by Alan Ari Lazar and music from Ramsey Lewis, Petula Clark, Nina Simone and Xavier Cugat.First-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls ! Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lookalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as the perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Fu! ll of the usual mix of second-string players who inhabit the g! ay milie u (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a Gidget movie. The shift is surprising and even sometimes funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and not a milestone in the genre. --Paula NechakTitle: Billy's Hollywood Screen Kiss. Artist: Unknown. Image Size: 10.41in. x 14.92in. Paper Size: 11.00in. x 17.00in. Beautiful MUSEUM WRAP CANVAS Print with Added BRUSHSTROKES

The Canvas Transfer Process

Producing a canvas transfer is an intensely detailed process, which begins with an art print (ink on paper). Special chemicals are applied which, when dried, for! m a film that is meticulously separated from the paper and permanently embedded onto a high quality artist canvas. The canvas is then carefully stretched and wrapped around a sturdy, custom-cut inner support frame, called a "stretcher bar". Added brushstrokes are also carefully painted on to the canvas.

Ready to Hang

Canvas is wrapped around the stretcher bars and stapled on the back. White canvas will show on the sides and no part of the image is lost during this wrapping process. The stretcher bar on the back of the canvas has a saw-tooth hanger, making it ready to hang on your wall. The canvas texture and non-reflective nature of a canvas transfer allows you to hang them under any lighting conditions. A canvas transfer has a lifespan as long as any original painting or work of art. They can easily be dusted and cleaned with a damp cloth, giving years of use and enjoyment.

Easily Framed

Since there is no need to cover a canvas transfer with glass, having your canv! as transfer framed is easy and cost effective.

SPECIAL NOTE ! REGARDIN G MUSEUM WRAPS

If your order contains a border around the main design of the image, it WILL BE cropped off. This will occur if there is a white, black orother colored border around the main image. Any text that appears in the border WILL also be cropped off as well.

Cropping will REDUCE the overall size of the Museum Wrap from the dimensions stated above.

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Human Planet

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Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and Oscar nominee Michael O'Keefe (The Great Santini, Caddyshack, Iron! weed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspense grips the full spectrum of your emotions. This is a! n impressive debut by writer/director Courtney Hunt, featuring! excelle nt supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and! Oscar nominee Michael O'Keefe (The Great Santini, Caddys hack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspense grips the full spectrum of your e! motions. This is an impressive debut by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of southern Missouri. Day-to-day life is tough in the eco! nomically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This is a dark, often violent film that doesn't shy away fro! m the harsh realities of the manic drug culture permeating som! e rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami HoriuchiFollowing in the footsteps of Planet Earth and Life, this epic eight-part blockbuster is a breathtaking celebration of the amazing, complex, profound and sometimes challenging relationship between humankind and nature. Humans are the ultimate animals - the most successful species on the planet. From the! frozen Arctic to steamy rainforests, from tiny islands in vast oceans to parched deserts, people have found remarkable ways to adapt and survive. We've done this by harnessing our immense courage and ingenuity; learning to live with and utilize the other creatures with which we share these wild places. Human Planet weaves together eighty inspiring stories, many never told before, set to a globally-influenced soundtrack by award-winning composer Nitin Sawhney. Each episode focuses on a particular habitat and reveals how its people have created astonishing solutions in the face of extreme adversity. Finally we visit the urban jungle, where most of us now live, and discover why the connection between humanity and nature here is the most vital of all.The BBC's follow-up to their landmark Planet Earth is another astounding document of natural selection, focusing on the constantly shifting--and often remarkably harsh--relationship between human beings and their sur! roundings. Narrated by John Hurt, this eight-episode series ex! plores t he amazing lengths people must go to in order to survive in various unwelcoming habitats around the world, such as deserts, mountains, grasslands, and oceanic environments, all of which feature unique moments of terror and beauty. (The final episode, focusing on modern city life, suffers a bit by familiarity, although it does allow non-New York viewers a chance to glimpse rats the size of toaster ovens.) An overflowing chest of wonders, really, with such eye-popping sights as a diver who appears to have appropriated fish DNA, the most efficient way to catch giant bats, and a terrifying hunt for mussels within a rapidly submerging Artic crevasse. Other highlights include a father teaching his son how best to harvest water snakes, the symbiotic search for honey between African bird and human, and the leaders of a starving dog-sled team desperately ice-fishing for giant sharks. Memorable as the byplay between people and various critters is, however, some of the most arresting s! cenes focus solely on human relationships, such as an ultra-competitive tribal courtship ritual, a family carrying on the tradition of creating a living bridge, and a walk to school that involves scaling a glacier. Amid the wealth of rewind-worthy moments, perhaps most impressive of all are the brief behind-the-scenes featurettes at the end of each episode, which show the amount of persistence, vision, good humor, and sheer luck it took to bring these slices of life successfully to the screen. Take a bow, folks. --Andrew Wright

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Farce of the Penguins : Widescreen Edition

• Widescreen

What Happens In Antarctica...Stays In AntarcticaMeet Carl (Bob Saget) and Jimmy (Lewis Black) two cold penguins on a desperate mission to get themselves some hot booty. After years of empty one-night stands Carl wants more than a piece of penguin tail. He wants the love of the beautiful Melissa (Christina Applegate).Now it's up to Jimmy to help his neurotic friend win her heart and find his dream girl. The only thing that stands in their way is... a seventy mile trek across Antarctica. It s a road trip like no other as these two best bros make their way to a penguin island paradise. From director and comedian Bob Saget comes a raunchy yet heart-warming comedy like no other.Get ready for a stiff and dirty ride!System Requirements:Running Time: 80 Mins.Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 821575547956 Manufacturer No: TF-54795Studio: Lions Gate Home Ent. Release Date:! 02/05/2008 Run time: 80 minutes Rating: Rdvd

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Dewalt DPG82-11C Concealer Clear Anti-Fog Dual Mold Safety Goggle

• Built-in ventilation channel provides extra fog control and ventilation
• Dual injected rubber provides a soft, comfortable seal
• Clip attachment allows for easy lens replacement
• Cloth head strap provides a comfortable, easily adjustable fit
• Tough, polycarbonate lens provides impact resistance.

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A Brilliant Solution: Inventing the American Constitution

• ISBN13: 9780156028721
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

American Sign Language is a rich and complex language. Recently declared as an official language and recognized by 48 states as a foreign language, more and more high school teachers across the country are teaching American Sign Language as an elective.

 

Learning American Sign Language: Levels I & II â€" Beginning &Intermediate is designed to prepare teachers to successfullyinteract with American Sign Language (ASL) users. Lessons are structured around language needed for common-life situations, and examples are presented in the form of dialogues coupled with grammar and vocabulary instruction. Information is also include! d about the culture of deaf people in the United States.

 

Learners will discover that the book:

• Contains lessons designed around the conversational language needed for common life situations.
• Illustrates hundreds of sentences and vocabulary with over 2,000 high quality colorized drawings that aid in study and memory.
• Contains over 100 grammar and cultural notes, 72 exercises, and charts of the American Manual Alphabet (Finger spelling) and ASL number system.
• Teaches the rules of ASL in a natural order that is predictable and compatible with everyday language of native users of American Sign Language.
• Incorporates information about the cultural lives of Deaf people in the United States.
• Is supported by a video demonstrating all the conversations and important structures in the text.

Order the Video!

Vid! eo to Accompany American Sign Language, 2/e
Order No. 0! -205-275 54-0

American Sign Language students will find themselves captivated and entertained by this state-of-the-art Video that presents all 72 dialogues and each key structure from the text in a clear and natural way. Four internationally known Deaf actors animate the dialogues bringing life to the illustrations in the text allowing students to preview and review instructional materials at home to enhance their classroom learning.

 

About the authors:

Tom Humphries is Associate Director of the Teacher Education Program and also teaches in the Department of Communication at the University of California, San Diego. He is currently coordinating a program to train teachers of deaf children using a bilingual approach. Prior to this he taught at Gallaudet University in the Department of English for several years and later served as an Associate Dean for the San Di! ego Community College District where he coordinated the development of an ASL program and an interpreter-training program. He holds a Ph.D. in Cross Cultural Communication and Language Learning. Dr. Humphries is co-author with Carol Padden of Deaf in America: Voices from a Culture and several other books and articles related to ASL and the culture of Deaf people.

Carol Padden is a Professor in the Department of Communication at the University of California, San Diego where she teachers courses on language, culture and media. She is a graduate of Georgetown University and received a Ph.D. in Linguistics from the University of California, San Diego. Her recent research includes studies of reading development in young deaf children and she has written extensively about the cultural lives of Deaf people in the United States. She received a John Simon Guggenheim Fellowship, in addition to numerous other awards and grants for her work! . In addition to the books she has co-authored with Tom Humphr! ies, she has published several other books and articles on American Sign Language structure. Humphries & Padden (Learning American Sign Language, 2e).

This collection of remarkable quotations is a gem of discerning wisdom, lovely thoughts, and astute wit gleaned from the words of African-American Writers, including Maya Angelou, James Baldwin, Toni Cade Bambara, Amiri Baraka, Mary McLeod Bethune, Arna Bontemps, Gwendolyn Brooks, William Wells Brown, Octavia E. Butler, Stokely Carmichael, Stephen L. Carter, Charles W. Chesnutt, Eldridge Cleaver, Lucille Clifton, Anna J. Cooper, Bill Cosby, Stanley Crouch, Countee Cullen, Edwidge Danticat, Angela Davis, Sarah L. Delany, Frederick Douglass, Rita Dove, W.E.B. DuBois, Paul Laurence Dunbar, Ralph Ellison, Mari Evans, Ernest Gaines, Marcus Garvey, Nikki Giovanni, Dick Gregory, Angelina Weld Grimke, Alex Haley, Virginia Hamilton, Henry Hampton, Lorraine Hansberry, Billie Holiday, Bell Hooks, Langston Hughes, Zora Neale Hurston, Harriet ! Jacobs, Joseph Jarman, Georgia Douglas Johnson, James Weldon Johnson, June Jordan, Elizabeth Keckley, Martin Luther King, Jr., Audre Lorde, Malcolm X, Paule Marshall, Thurgood Marshall, Claude McKay, Terry McMillan, Toni Morrison, Walter Mosley, Thylias Moss, Gloria Naylor, Ann Plato, Ishmael Reed, Al Roker, Thomas Sowell, Anne Spencer, Jean Toomer, Sojourner Truth, Harriet Tubman, Henry Van Dyke, Alice Walker, Margaret Walker, Booker T. Washington, Cornel West, Dorothy West, August Wilson, Richard Wright, and Frank Yerby.


This collection of remarkable quotations is a gem of discerning wisdom, lovely thoughts, and astute wit gleaned from the words of African-American Writers, including Maya Angelou, James Baldwin, Toni Cade Bambara, Amiri Baraka, Mary McLeod Bethune, Arna Bontemps, Gwendolyn Brooks, William Wells Brown, Octavia E. Butler, Stokely Carmichael, Stephen L. Carter, Charles W. Chesnutt, Eldridge Cleaver, Lucille Clifton, Anna J. Cooper, Bill Cosb! y, Stanley Crouch, Countee Cullen, Edwidge Danticat, Angela Da! vis, Sar ah L. Delany, Frederick Douglass, Rita Dove, W.E.B. DuBois, Paul Laurence Dunbar, Ralph Ellison, Mari Evans, Ernest Gaines, Marcus Garvey, Nikki Giovanni, Dick Gregory, Angelina Weld Grimke, Alex Haley, Virginia Hamilton, Henry Hampton, Lorraine Hansberry, Billie Holiday, Bell Hooks, Langston Hughes, Zora Neale Hurston, Harriet Jacobs, Joseph Jarman, Georgia Douglas Johnson, James Weldon Johnson, June Jordan, Elizabeth Keckley, Martin Luther King, Jr., Audre Lorde, Malcolm X, Paule Marshall, Thurgood Marshall, Claude McKay, Terry McMillan, Toni Morrison, Walter Mosley, Thylias Moss, Gloria Naylor, Ann Plato, Ishmael Reed, Al Roker, Thomas Sowell, Anne Spencer, Jean Toomer, Sojourner Truth, Harriet Tubman, Henry Van Dyke, Alice Walker, Margaret Walker, Booker T. Washington, Cornel West, Dorothy West, August Wilson, Richard Wright, and Frank Yerby.

Now available in two-volume splits as well as the combined version.

Through! Women’s Eyes: An American History was the first textbook in U.S. women’s history to present an inclusive narrative within the context of the central developments of U.S. history and to integrate written and visual primary sources into each chapter. The result, according to authors Ellen Carol DuBois and Lynn Dumenil, was to "reveal the relationship between secondary and original sources, to show history as a dynamic process of investigation and interpretation rather than a set body of facts and figures." The enormous success of the first edition confirms that the field of U.S. women’s history was ready for a ground-breaking textbook that focuses on women from a broad range of ethnicities, classes, religions, and regions and that helps students understand how women and women’s history are an integral part of U.S. history.

 

Click here to read about packaging with the Women and Social Movements Database!

A definitive collection of the very best short stories by con! temporar y American masters

Edited by Joyce Carol Oates, "the living master of the short story" (Buffalo News), and Christopher R. Beha, this volume provides an important overview of the contemporary short story and a selection of the very best that American short fiction has to offer.

"How ironic," Joyce Carol Oates writes in her introduction to this marvelous collection, "that in our age of rapid mass-production and the easy proliferation of consumer products, the richness and diversity of the American literary imagination should be so misrepresented in most anthologies." Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? "Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected?! "
In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many "different, unexpected" gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's "Rip Van Winkle," Poe's "The Tell-Tale Heart," and Hemingway's "A Clean, Well-Lighted Place." But alongside these classics, Oates introduces such little-known stories as Mark Twain's "Cannibalism in the Cars," a story that reveals a darker side to his humor ("That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy"). From Melville come the juxtaposed tales "The Paradise of Bachelors and the Tartarus of Maids," of which Oates says, "Only Melv! ille could have fashioned out of 'real' events...such harrowin! g and dr eamlike allegorical fiction." From Flannery O'Connor we find "A Late Encounter With the Enemy," and from John Cheever, "The Death of Justina," one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master.
This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern w! riter.

A rich narrative portrait of post-revolutionary America and the men who shaped its political future

 

Though the American Revolution is widely recognized as our nation's founding story, the years immediately following the warâ€"when our government was a disaster and the country was in a terrible crisisâ€"were in fact the most crucial in establishing the country's independence. The group of men who traveled to Philadelphia in the summer of 1787 had no idea what kind of history their meeting would make. But all their ideas, arguments, and compromisesâ€"from the creation of the Constitution itself, article by article, to the insistence that it remain a living, evolving documentâ€"laid the foundation for a government that has surpassed the founders' greatest hopes. Revisiting all the original historical documents of the period and drawing from her deep knowledge of eighteenth-century politics, Carol Berkin opens up the hearts and minds of A! merica's founders, revealing the issues they faced, the times ! they liv ed in, and their humble expectations of success."The majority of historians seem to suggest that the founders knew just what to do--and did it, creating a government that would endure for centuries," writes CUNY historian Carol Berkin in the introduction to A Brilliant Solution. Sitting atop the pedestals we've placed them on, these figures would be "amused" by such notions, she says, because in reality the Constitutional Convention was gripped by "a near-paranoid fear of conspiracies" and might easily have succumbed to "a collective anxiety" over its daunting task. The story of the birth of the U.S. Constitution has been told many times, perhaps best by Catherine Drinker Bowen in Miracle at Philadelphia. Berkin's rendition of these well-known events is clear and concise. It does a bit more telling than showing, but this seems to be in the service of brevity--the main text is only about 200 pages. (Another 100 pages of useful appendices follow, including the fu! ll texts of the Articles of Confederation and the Constitution, plus short biographies of all the convention delegates.) Berkin is an opinionated narrator, unafraid, for instance, to call Maryland's Luther Martin "determinedly uncouth." She also points out that American government has evolved in ways that would make the founders cringe: they believed the presidency would be a ceremonial office (rather than the locus of the nation's political power) and that political parties were bad (when, in fact, they have served democracy well). Readers who want a sure-footed introduction to America's founding would do well to start here. --John J. Miller

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Duane Hopwood

• (Drama) David Schwimmer stars as Duane, a down-on-his-luck divorced father who works the night shift as a pit boss at Caesars Palace in Atlantic City. Heartsick about the demise of his marriage to Linda (Janeane Garofalo), he does nothing but work and drink. When his visitation rights are threatened after he's caught driving while intoxicated with his daughter in the backseat, Duane decides that t

DUANE HOPWOOD - DVD Movie

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