Human Planet

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Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and Oscar nominee Michael O'Keefe (The Great Santini, Caddyshack, Iron! weed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspense grips the full spectrum of your emotions. This is a! n impressive debut by writer/director Courtney Hunt, featuring! excelle nt supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and! Oscar nominee Michael O'Keefe (The Great Santini, Caddys hack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspense grips the full spectrum of your e! motions. This is an impressive debut by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of southern Missouri. Day-to-day life is tough in the eco! nomically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This is a dark, often violent film that doesn't shy away fro! m the harsh realities of the manic drug culture permeating som! e rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami HoriuchiFollowing in the footsteps of Planet Earth and Life, this epic eight-part blockbuster is a breathtaking celebration of the amazing, complex, profound and sometimes challenging relationship between humankind and nature. Humans are the ultimate animals - the most successful species on the planet. From the! frozen Arctic to steamy rainforests, from tiny islands in vast oceans to parched deserts, people have found remarkable ways to adapt and survive. We've done this by harnessing our immense courage and ingenuity; learning to live with and utilize the other creatures with which we share these wild places. Human Planet weaves together eighty inspiring stories, many never told before, set to a globally-influenced soundtrack by award-winning composer Nitin Sawhney. Each episode focuses on a particular habitat and reveals how its people have created astonishing solutions in the face of extreme adversity. Finally we visit the urban jungle, where most of us now live, and discover why the connection between humanity and nature here is the most vital of all.The BBC's follow-up to their landmark Planet Earth is another astounding document of natural selection, focusing on the constantly shifting--and often remarkably harsh--relationship between human beings and their sur! roundings. Narrated by John Hurt, this eight-episode series ex! plores t he amazing lengths people must go to in order to survive in various unwelcoming habitats around the world, such as deserts, mountains, grasslands, and oceanic environments, all of which feature unique moments of terror and beauty. (The final episode, focusing on modern city life, suffers a bit by familiarity, although it does allow non-New York viewers a chance to glimpse rats the size of toaster ovens.) An overflowing chest of wonders, really, with such eye-popping sights as a diver who appears to have appropriated fish DNA, the most efficient way to catch giant bats, and a terrifying hunt for mussels within a rapidly submerging Artic crevasse. Other highlights include a father teaching his son how best to harvest water snakes, the symbiotic search for honey between African bird and human, and the leaders of a starving dog-sled team desperately ice-fishing for giant sharks. Memorable as the byplay between people and various critters is, however, some of the most arresting s! cenes focus solely on human relationships, such as an ultra-competitive tribal courtship ritual, a family carrying on the tradition of creating a living bridge, and a walk to school that involves scaling a glacier. Amid the wealth of rewind-worthy moments, perhaps most impressive of all are the brief behind-the-scenes featurettes at the end of each episode, which show the amount of persistence, vision, good humor, and sheer luck it took to bring these slices of life successfully to the screen. Take a bow, folks. --Andrew Wright